Karl Marx: “For A Ruthless Criticism of Everything Existing”

marx-engels-readerAs I have previously noted, during one of the early lectures his acclaimed “Reading Marx’s Capital” lecture series, David Harvey refers his students to a noteworthy work by Marx entitled “For A Ruthless Criticism of Everything Existing.” Indeed, that is the title used for the document in the popular edition The Marx-Engels Reader, edited by Robert C. Tucker. In many other editions of the work, the document is simply titled “Marx to Ruge,” referencing the fact that it was originally written as correspondence from Karl Marx to Arnold Ruge.

According to the Marxists Internet Archive‘s transcription of the Progress Publishers edition of the document, the letter is the third is a series that Marx sent to Ruge throughout 1843. The letter was written while Marx was in Kreuzenach, Germany, just a few months after his marriage to Jenny von Westphalen. The exchange between Marx and Ruge amounted to eight letters in all and they later published their correspondence in the only issue of the Deutsch-Franzosische Jahrbucher in February 1844. The MIA foreword also explains that the “Ruthless Criticism” letter is Marx’s response to Ruge’s previous letter, “in which Ruge proclaimed himself an atheist and a vigorous supporter of the ‘new philosophers’.”

Presented below is the complete transcription of the Progress Publishers edition, as presented by Marxists Internet Archive. There are a number of differences between this translation and that offered by Dr. Ronald Rogowski for The Marx-Engels Reader, most notably Progress Publishers’ use of the phrase “ruthless criticism of the existing order” instead of “ruthless criticism of everything existing.” The translation published in The Collected Works of Karl Marx and Frederick Engels – which is also posted by marxists.org – uses the phrase “ruthless criticism of all that exists.”

Letter from Marx to Arnold Ruge
in Dresden

I am very pleased to find you so resolute and to see your thoughts turning away from the past and towards a new enterprise. In Paris, then, the ancient bastion of philosophy – absit omen! [may this be no ill omen!] – and the modern capital of the modern world. Whatever is necessary adapts itself. Although I do not underestimate the obstacles, therefore, I have no doubt that they can be overcome.

Our enterprise may or may not come about, but in any event I shall be in Paris by the end of the month as the very air here turns one into a serf and I can see no opening for free activity in Germany.

In Germany everything is suppressed by force, a veritable anarchy of the spirit, a reign of stupidity itself has come upon us and Zurich obeys orders from Berlin. It is becoming clearer every day that independent, thinking people must seek out a new centre. I am convinced that our plan would satisfy a real need and real needs must be satisfied in reality. I shall have no doubts once we begin in earnest.

In fact, the internal obstacles seem almost greater than external difficulties. For even though the question “where from?” presents no problems, the question “where to?” is a rich source of confusion. Not only has universal anarchy broken out among the reformers, but also every individual must admit to himself that he has no precise idea about what ought to happen. However, this very defect turns to the advantage of the new movement, for it means that we do not anticipate the world with our dogmas but instead attempt to discover the new world through the critique of the old. Hitherto philosophers have left the keys to all riddles in their desks, and the stupid, uninitiated world had only to wait around for the roasted pigeons of absolute science to fly into its open mouth. Philosophy has now become secularized and the most striking proof of this can be seen in the way that philosophical consciousness has joined battle not only outwardly, but inwardly too. If we have no business with the construction of the future or with organizing it for all time, there can still be no doubt about the task confronting us at present: the ruthless criticism of the existing order, ruthless in that it will shrink neither from its own discoveries, nor from conflict with the powers that be.

I am therefore not in favor of our hoisting a dogmatic banner. Quite the reverse. We must try to help the dogmatists to clarify their ideas. In particular, communism is a dogmatic abstraction and by communism I do not refer to some imagined, possible communism, but to communism as it actually exists in the teachings of Cabet, Dezamy, and Weitling, etc. This communism is itself only a particular manifestation of the humanistic principle and is infected by its opposite, private property. The abolition of private property is therefore by no means identical with communism and communism has seen other socialist theories, such as those of Fourier and Proudhon, rising up in opposition to it, not fortuitously but necessarily, because it is only a particular, one-sided realization of the principle of socialism.

Etienne Cabet (1788-1856)

Etienne Cabet (1788-1856)

And by the same token, the whole principle of socialism is concerned only with one side, namely the reality of the true existence of man. We have also to concern ourselves with the other side, i.e., with
man’s theoretical existence, and make his religion and science, etc., into the object of our criticism. Furthermore, we wish to influence our contemporaries above all. The problem is how best to achieve this. In this context there are two incontestable facts. Both religion and politics are matters of the very first importance in contemporary Germany. Our task must be to latch onto these as they are and not to oppose them with any ready-made system such as the Voyage en Icarie. [A recently released book by Etienne Cabet, describing a communist utopia.]

Reason has always existed, but not always in a rational form. Hence the critic can take his cue from every existing form of theoretical and practical consciousness and from this ideal and final goal implicit in the actual forms of existing reality he can deduce a true reality. Now as far as real life is concerned, it is precisely the political state which contains the postulates of reason in all its modern forms, even where it has not been the conscious repository of socialist requirements. But it does not stop there. It consistently assumed that reason has been realized and just as consistently it becomes embroiled at every point in a conflict between its ideal vocation and its actually existing premises.

This internecine conflict within the political state enables us to infer the social truth. Just as religion is the table of contents of the theoretical struggles of mankind, so the political state enumerates its practical struggles. Thus the particular form and nature of the political state contains all social struggles, needs and truths within itself. It is therefore anything but beneath its dignity to make even the most specialized political problem – such as the distinction between the representative system and the estates system – into an object of its criticism. For this problem only expresses at the political level the distinction between the rule of man and the rule of private property. hence the critic not only can but must concern himself with these political questions (which the crude socialists find entirely beneath their dignity). By demonstrating the superiority of the representative system over the Estates system, he will interest a great party in practice. By raising the representative system from its political form to a general one, and by demonstrating the true significance underlying, it he will force this party to transcend itself – for its victory is also its defeat.

Nothing prevents us, therefore, from lining our criticism with a criticism of politics, from taking sides in politics, i.e., from entering into real struggles and identifying ourselves with them. This does not mean that we shall confront the world with new doctrinaire principles and proclaim: Here is the truth, on your knees before it! It means that we shall develop for the world new principles from the existing principles of the world. We shall not say: Abandon your struggles, they are mere folly; let us provide you with true campaign-slogans. Instead, we shall simply show the world why it is struggling, and consciousness of this is a thing it must acquire whether it wishes or not.

The reform of consciousness consists entirely in making the world aware of its own consciousness, in arousing it from its dream of itself, in explaining its own actions to it. Like Feuerbach’s critique of religion, our whole aim can only be to translate religious and political problems into their self-conscious human form.

Our programme must be: the reform of consciousness not through dogmas but by analyzing mystical consciousness obscure to itself, whether it appear in religious or political form. It will then become plain that the world has long since dreamed of something of which it needs only to become conscious for it to possess it in reality. It will then become plain that our task is not to draw a sharp mental line between past and future, but to complete the thought of the past. Lastly, it will becomes plain that mankind will not begin any new work, but will consciously bring about the completion of its old work.

We are therefore in a position to sum up the credo of our journal in a single word: the self-clarification (critical philosophy) of the struggles and wishes of the age. This is a task for the world and for us. It can succeed only as the product of united efforts. What is needed above all is a confession, and nothing more than that. To obtain forgiveness for its sins, mankind needs only to declare them for what they are.

The Barque of Dante by Eugène Delacroix, 1822

The Barque of Dante (also called Dante and Virgil in Hell) by Eugène Delacroix, 1822

Posted in communism, Karl Marx, marxism | Tagged , , | Comments Off on Karl Marx: “For A Ruthless Criticism of Everything Existing”

Reminiscences of Ibne Hasan, continued

*

Syed Ibne Hasan   1954 – 2012

From time to time, I decide to comb through my various e-mail accounts as well as my desktop and external hard drives looking for old conversations with my late friend Ibne Hasan. At this point – almost four years after his passing – I have probably discovered almost everything I have left, with much of our old conversation threads being lost due to my hard drive crash in 2011 and the necessity to regularly update e-mail clients and clean out mailboxes for the sake of storage.

But when someone is gone forever, a fragment from a bygone, otherwise mundane conversation becomes precious. Such is the case with a recent e-mail thread I found in the “sent items” mailbox of one of my oldest e-mail accounts. Hasan’s patient and insightful replies to my questions regarding Indian film and music from a 2010 conversation thread are presented below for posterity, along with with contextual explanations in italics.

I will also add this thread to the memorial page I established for Ibne Hasan for posterity.


Re: Hum Aapke Hain Koun..!   April 2010

hum-aapkeIn 2010, I watched the Bollywood blockbuster film Hum Aapke Hain Koun..! and, having previously discussed Indian films and music with Hasan, I wrote to him and asked his opinions on the movie. While he had not seen it, he expressed a willingness to watch it and have a discussion. Hasan also shared about about his collection of rare music.

02 April 2010

I have not watched the film Hum Aapke Hain Koun..! (Who/What I Am For You). This film was released one or two years back and I have not watched it. I have been collecting Indian film and classical music and the number of songs has reached almost 13 thousand. The collection is mostly from 1932 to 1956.

* * *

Indeed, Hasan had sent me a huge cache of CDs the previous year and I reminded this of him, asking if I could make copies and share them with someone who had recently opened a new Indian and Pakistani grocery store near my home. Hasan’s generosity was resoundingly clear in his response.

03 April 2010

I have never refused copies of DVDs to any one who has some interest in such stuff. You may give copies to any person. The collection has many rare songs which are not available on the internet. These were recorded from 78 RPMs.Yes, you may write your comments on the film. If possible send me an email.

* * *

Hasan later read my review of Hum Aapke Hain Koun..! and decided to seek out a copy for himself so we could compare notes. He also expressed some curiosity regarding my interest in Indian music, noting that I could neither speak nor understand Hindi or any of the other languages of the region. I had hoped he would expound on the matter of his comments regarding “pure music,” but I do not recall ever having that conversation in detail.

15 April 2010

Balraj Sahni in "Garm Hava" (1973)

Balraj Sahni in “Garm Hava” (1973)

…I read your comments. I will procure a copy of the film and watch it. Because of my “notoriously classical bent of mind” it is a hard job to watch modern Indian movies. I watch a film only for its music.

India did produce some good films in the past. Some critics say India produced only two good actors in the past: Motilal and Balraj Sahani. It is very difficult to procure the films in which Motilal acted but some of Balraj are easily available.

India produced good music during the years from 1940 to 1955; after that most of the stuff is rubbish. India also gave some great classical singer. Some of the names are: Omkarnath Thakur, Narayanrao Vayas, Vinayakrao Patwardhan. You can get some songs of these singers on the internet.

My question should be: when you do not understand the language, what is it in these films that interests you? You do not understand the language of the songs. So do you find the tune itself absorbing? I am myself a believer in “pure music.” I mean that music does not need the help of words to create the effect or the mood of the melody/tune. Indian classical music proves this point as words are absolutely of no value in it.

— Ibne Hasan

* * *

I can’t remember if Hasan ever actually procured a copy of Hum Aapke Hain Koun..! and if we had any further discussion about the movie, our correspondence about that subject has vanished into the ether of the Internet forever. Based on the opinions he shared about contemporary films and music, I would gess that he probably would not have appreciated the movie regardless of the fact that it was one of the most successful films in Bollywood history.

We had also talked in passing about discussing a 2005 biopic about Subhas Chandra Bose but we never got around to that as we both has many projects to tackle, both individually and together through our work for the Marxists Internet Archive.

Posted in art, Bollywood, Ibne Hasan, India, Indian subcontinent, marxism, Pakistan | Comments Off on Reminiscences of Ibne Hasan, continued

The Red Army in Vienna

A friend who recently traveled to Vienna, Austria sent me some photos he took of the city’s monuments to the Red Army. The main monument (depicted in the bottom two photos) is the Heldendenkmal der Roten Armee, which serves as a memorial to the 17,000 Red Army soldiers who died during the Battle of Vienna. The aforementioned battle began on April 2, 1945 when the Soviets approached from the south, and ended on April 13 with the defeat and withdrawal of German forces.

Joseph Stalin noted the Red Army’s victory in “Order of the Day, No. 334,” Issued on April 13, 1945.

TROOPS of the 3rd Ukrainian Front, with the support of troops of the 2nd Ukrainian Front, after stiff street-fighting to-day, April 13, captured the capital of Austria, the city of Vienna, a strategically important centre of the German defences covering the routes to the southern areas of Germany.

During the course of the fighting for the approaches to Vienna and for the city of Vienna, from March 16 to April 13, the troops of the Front routed 11 German Tank Divisions, including the 6th S.S. Tank army, took prisoner more than 130,000 enemy officers and men, and destroyed or captured 1,345 tanks and self-propelled guns, 2,250 field-guns and much other military equipment.

[…]

For excellent military operations I express my thanks to all the troops under your command which took part in the fighting for the liberation of Vienna.

Eternal glory to the heroes who fell in the fighting for the freedom and independence of our Motherland!

Death to the German invaders!

The full text of Order of the Day, No. 334, which includes a complete list of the commanders in the operation, is available via the Marxists Internet Archive.

The Heldendenkmal der Roten Armee was built in 1945 and bears the inscription:

Eternal Hail to the heroes of the Red Army who fell in battle against the German fascist invaders for the freedom and Independence of the peoples of Europe.

Monument to fallen Red Army soldiers at the Central Cemetery in Vienna

Monument to fallen Red Army soldiers at the Central Cemetery in Vienna.

"Heldendenkmal der Roten Armee" at Schwarzenbergplatz square in Vienna

“Heldendenkmal der Roten Armee” at Schwarzenbergplatz square in Vienna.

The Red Army soldier is made of 15 tons of bronze

The Red Army soldier that stands atop the monument is made of 15 tons of bronze.

Posted in anti-revisionism, art, art and ephemera, communism, marxism, Russia, Stalin, USSR | Tagged , , , , , , | Comments Off on The Red Army in Vienna

Ephemera as art and history

Here’s a recent acquisition for my collection of interesting ephemera. I scored it from an online seller and although I didn’t know much about it when I purchased the item, I have learned a bit through some research.

On the back of the post card are the words “Union Postale Universelle” (Universal Postal Union, which is the name of an organization that fosters international postal cooperation.

A Russian-language site suggests that the postcard was produced in 1906 and features an allegorical depiction of a May Day celebration in front of the altar of human freedom. Another site suggests the postcard was a issued in honor of the State Duma, which was dissolved in 1917.

On the banner, the words read “Liberty, Equality, Fraternity.”

The pedestal features the words “Of Mankind” in German, an image of Karl Marx with his name in Russian on either side (and in German within the circular image). A form of the word “humanity” appears in Russian at the bottom of the pedestal.

At the very bottom of the picture is the inscription “1 May – Proletarian holiday.”

post-card-marx

Click on the image to view a larger picture.
Posted in art and ephemera, ephemera, marxism, USSR | Tagged , , , , , , | Comments Off on Ephemera as art and history